Nano Note:
Going Baroque
Although I do not yet own a Red Nano, I have already begun compiling an iTunes playlist entitled “Red Nano,” and when it gets big enough to fill 8 Gs, I’ll see to it that the name makes sense. The “Red Nano” playlist is comprised almost exclusively of instrumental works from the Baroque. I’m building it up by effectively dumping every Baroque-period CD that I own — and I own quite a few — into my new computer. In idle moments, I move things around, so that, when I’m done, I won’t be listening to two concerti grossi by Heinichen (a contemporary of Bach and Handel) in a row. Not to mention the dozens of Scarlatti sonatas that Scott Ross selected for his three-disc anthology, drawn from a colossal recording of all of them.
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