Dear Diary:
Schnee Musik

j1222

Fürchte dich nicht — I haven’t been buried in a snowdrift. But I have decided to take a vacation. I’ll be posting regularly, yadda yadda.

We attended a superb and, what’s more, interesting performance of Handel’s Messiah this evening. I have never in my life heard a better chorus than Musica Sacra; what a dunce I was not to show up sooner. Still, I missed Mr Mozart; Kent Tritle, as a chorus and organ man, may be forgiven for taking a dim view of Mozart’s occasionally scene-stealing emendations, but straight Handel is rather a like a sandwich without condiments. Don’t mistake me for a sophisticated listener, though; “Glory to God” induced both a minor seizure and major teardrops, and the standing-up at “Hallelujah!”, along with all the other New Yorkers in Carnegie Hall, threw me into such a fit of historical synesthesia that my ears stopped working. We went because Kathleen has wanted to hear a live Messiah for years, and because I finally got over my having “outgrown” such events.

Did I say that the place was packed? Packèd straight. Which reminds me: while we were listening to the Messiah playlist yesterday (four recordings, punctuated by Bach and Vivaldi — very seasonal), it occurred to me to change “the dry land” in the first bass recitative (“…and I will shake the sea and the dry land…”) to “Long Island.” Now, of course, I can’t stop.

One Response to “Dear Diary:
Schnee Musik

  1. Nom de Plume says:

    “Oh we like sheep!”

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